What Is the Fourth Plinth in London's Trafalgar Square?: Artwork Displayed
What is the Fourth Plinth?
The Fourth Plinth is in Trafalgar Square, just in front of the of National Gallery. Originally, this plinth was designed to hold an equestrian statue of William IV. In 1841, however, the funds ran out and it was never completed. It remained this way until 1991, when the Royal Academy was tasked with putting something in this spot. And the decision they made has changed the square and given Londoners a lot to discuss.
Trafalgar Square is a London icon with Nelson’s Column in the centre guarded by four huge stone lions. In each corner of the square is a plinth, three of which have had grand statues on them since the 19th Century. The now famous Fourth Plinth has a temporary display of modern art atop it, which causes much debate each time a new installment appears.
There have been many disagreements over what should appear on this empty plinth, but it was decided for the time being to have temporary pieces that would speak to Londoners. And that is certainly done. Whenever a new sculpture goes up, cabbies, locals, and tourists go to watch it be unveiled. Everyone has their own opinion on what it looks like, whether they think it’s good, and indeed whether it’s even art at all.
Gift Horse - Fourth Plinth in London 2015
On March 5th, 2015, the latest offering was ceremoniously revealed. Entitled "Gift Horse" by Hans Haake, the sculpture is of an emaciated horse with a large ribbon tied around one raised knee. On this ribbon is a live, ever-changing data feed of the stock market figures. This is actually very clever. The horse is in a classic pose, referencing the original purpose of the Fourth Plinth, but it is underfed, starving in fact, while the banks continue to make money and focus on their share prices. It is also visually a powerful-looking statue. Almost everybody seems to have good things to say about it, and it has generally got the thumbs up from people who have seen it. So it has met the brief—it has been embraced by the city, it has people talking about it, art has been brought to the average Joe on the street, and it has brought loads of attention to the capital as well.
Statue of Alison Lapper
What's been up on the Fourth Plinth?
- 1999 saw the first ever sculpture to go on the plinth. Mark Wallinger’s piece depicted Christ, but as a normal man, looking like he was about to deliver a speech.
- In 2000, a creepy image of a book, crushing a head, with a tree above. The roots bound the whole thing to the plinth. Named ‘Regardless of History’ Bill Woodrow.
- 2001 saw a clear resin box appear on the plinth. Called ‘Monument’ by Rachel Whiteread, it was an exact replicate of the plinth itself, turned upside down and was created to make the viewer pause.
- In June of 2002, an unauthorized waxwork of David Beckham in full kit made it onto the plinth but was removed, even though most Londoners wanted it to stay.
- 2005 saw a beautiful nude sculpture of Alison Lapper during her pregnancy. Lapper is an artist and has a medical condition called phocomelia. Marc Quinn carved the statue out of a single piece of white marble and is a striking piece of artwork.
- 2007 and ‘Model for a Hotel’ was constructed out of yellow, red and blue glass. Artist Thomas Schütte made it in several parts which slotted together.
- July to October 2009 and Anthony Gormley’s vision saw 2,400 ordinary people have a single hour on on the plinth. Each hour, 24 hours a day, for 100 days, the plinth reflected humanity. Called ‘One and Other’, individuals spent their time singing, dancing, reading poetry, and many other things as crowds watched and the event was recorded. It was art made by everyone for everyone, and was truly enjoyed by the masses, and says a lot about the city of London.
- 2010 and Yinka Shonibare’s ‘Ship in a bottle’ adorns the Fourth Plinth. The nation took this one to its hearts. The enormous version of a ship inside a bottle had vibrantly coloured sails patterned with African-inspired design.
- 2012 and Elmgreen and Dragset’s ‘Powerless Structures fig. 101’ wasn't so popular. It’s a sculpture of a boy on a rocking horse and was to represent the struggles with growing up while referencing the equestrian theme that the plinth was originally made for.
- July 2013 and the big blue cock, entitled ‘Hahn/cock’, was placed on the plinth. The word Hahn is German for cock, and the play on words was intentional, it symbolises the strutting, males of the world. Its intense, vibrant blue colour meant the sculpture was mesmerising.
Free Art in London
London is considered by many to be the art capital of the world. One of the city's unique strengths is the philosophy that art should be enjoyed by all, and it strives to commit to this. Galleries containing masterpieces, modern works, and unknown talent are free to enter every day, for everyone.
© 2015 Susan Hambidge