How To Solarize Black and White Photography - The Sabattier Effect

Updated on April 10, 2016

Solarization or the Sabattier Effect

Solarization is the process of re-exposing photographic paper during the development process. The result is an eerie silver image which contains light lines between the shadows and the highlighted areas.

Areas that have been exposed the least are affected the most during the re-exposure of the print. The darker areas or shadows on the prints show little change during the solarization process.

The Sabattier effect is a fairly easy process to achieve and can be done in a few easy steps.

The Process of Solarization

To begin the process, develop and agitate your paper normally. When the image begins to appear, remove the print from the developer and place it into a tray of water for about ten seconds. This will slow the development process.

The next step is to re-expose the paper to light. This exposure should last only about two seconds. The light source should be a low watt bulb, 15 to 20 watt, and should be three to four feet away from the print.

The final step is to put the paper back into the developer for the remaining development time. Complete the process of development using your stop bath, fixer and final wash.

In order to achieve the desired effects you may need to experiment with different exposure times.  Two seconds is a good starting point, but you may need to vary the tone up or down depending on the print and the type of paper used.

Tips for gaining maximum results.

  • Using high contrast papers will give you a more dramatic effect.
  • Slow films are easier to work with since they require longer exposure time to develop.
  • Since re-exposure effects the highlights, use a print with a lot of light areas to achieve the most dramatic results.
  • Dilute your developer to twice the manufacturers recommendations.

By spending a little bit of extra time in the darkroom and experimenting with exposure times, you can turn your black and white prints into dramatic works of art.


Submit a Comment
  • ytsenoh profile image


    7 years ago from Louisiana, Idaho, Kauai, Nebraska, South Dakota, Missouri

    I love the Calla Lily image. I have always had a preference to black and white images because of what they evoke. Nice job on your subject.

  • profile image


    8 years ago

    hey.... i would really appreciate some help here. ive been giving tries to this solarization effect for years, sometimes, rarely, it works alright, but i really can't seem to control it or often, can't seem to even get close to the effect, although ive read tutorials here and there over the years. Thing is, seems like i don't understand the basic principle of it, thus, don't know what step to modify and play around with when i get a result im not satisfied with. do i modify the original exposure? more or less? the time in its 1st dev bath? the time in the water? the time of re-exposure? in the enlarger with no tray or just a lightbulb in my darkroom? should i use bulbs with less watts? or more? damn, there is SO much that could affect the result, if one, as i, don't know truly what does what and how to readjust a step accordingly to get what i want, its a freakin time consuming and expensive effect to use. All web pages ive read explaining on how to get theses great and balanced solarizations all hold different steps, i tried to combine ideas, try this guy's, or this other guy's process, all the same, can't seem to get close to what i want, unless very damn lucky, which is usually 1 out of 20 prints.... Do you relate to this, or have you found THE closest to bein foolproof process? Any ideas, suggestions or general info on this would be highly appreciated. thanks!

  • profile image


    8 years ago

    That last photo, how does one get that effect with the water?

  • lafenty profile imageAUTHOR


    8 years ago from California

    Thank you for the tip. I will try it out.

  • DavidPMcCracken profile image


    8 years ago from Springfield, IL

    I have solarized many prints, and have a little tip I use. I do my second exposure under the enlarger. After I make the first exposure and before I put the print into the developer I take the negative holder out of the enlarger head and set my timer for the second exposure. This makes for a quick trip between developer,enlarger, and back to the developer. Focused light gives a sharper result.

  • fotocourses profile image


    9 years ago from Hampshire, England

    Never tried this technique before but love the technque.

  • Steve 3.0 profile image

    Steve 3.0 

    9 years ago from Cornwall UK

    This makes me want to get back in to the darkroom again, I used to enjoy doing solarization, not the same using digital effects.

  • lafenty profile imageAUTHOR


    10 years ago from California

    Yes, Androbeta, you are right, I just can't spell. Thanks, I have fixed it.

  • profile image


    10 years ago

    Isn't it called "solarization"? ( or they're not the same thing?

  • frogdropping profile image


    11 years ago

    Lafenty - love the effect! I especially like the last picture.

    Thankyou :)

  • lafenty profile imageAUTHOR


    11 years ago from California

    I wish I could claim them as mine, but I didn't take them. They are beautiful though.

  • Cris A profile image

    Cris A 

    11 years ago from Manila, Philippines

    wow nice pictures. i specially love the calla lilies - they're gorgeous. thanks for sharing as I love B&W photography :D


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