"Cow on Mountain" Landscape Painting: Easy Step by Step

How to Paint a Landscape with Acrylics -  "High Pastures" Acrylic on canvas, 18" x 24" ©RobieBenve
How to Paint a Landscape with Acrylics - "High Pastures" Acrylic on canvas, 18" x 24" ©RobieBenve | Source

In this article I explain the process I followed in painting the above landscape painting “High Pastures”. The article aims to be an example and by no means intends to show “how to paint” as if there was only one right way and I knew what that was.

Hopefully by reading about my creative process beginner artists can gain some understanding of what to think about while painting and how to proceed.

Planning the Composition of the Painting

The success of a painting is decided before you put any paint on the canvas.

Believe it or not, it is not the subject matter, but the structure of your design, the way shapes and lines relate on the painting surface that make your painting. The bearing pillars of a good painting stand on a well-planned composition.

How you organize the composition will affect how the eye of the viewer moves around the painting, whether the artwork will be able to retain the viewer’s attention, and the way you express your subject matter.

I Used a Great Quality Reference Photo for My Painting

To paint “High Pastures” I had a head-start on composition because I used a beautiful picture by professional photographer Lee Brown. Lee is an amazing photographer and artist, and each month he shares one of his photos with artists, and creates a painting challenge for anyone that would like to participate. Lee posts submitted artworks in the painting challenge gallery, on his web site A Day Not Wasted.

As this cow on the Swiss Alps has been photographed by Lee, I did not have to struggle cropping, and finding the focal point, because the image had a great starting composition.

The original reference photo used for the painting
The original reference photo used for the painting | Source

How To Sketch the Composition on Canvas

Before drawing my composition on the canvas, I drew the lines of thirds both on the reference photo and on the canvas, as reference.

Drawing the lines of thirds helps keeping the correct proportions; it’s easier to maintain the proportions having the different shapes relate to each other and to the sides of each rectangle.

I drew the scene sketching with pencil on the canvas, using the nine rectangles formed by the grid as reference for my drawing and to place the focal point, which should fall close to one of the intersections, or sweet spots.

Draw four lines dividing your picture in thirds both horizontally and vertically. This lines will intersect on four focal points of your picture.
Draw four lines dividing your picture in thirds both horizontally and vertically. This lines will intersect on four focal points of your picture. | Source

How To Draw Lines of Thirds

Draw four lines dividing your picture in thirds both horizontally and vertically. This lines will intersect on four points, that are called sweet spots (or focal points) of your picture, where the point of interest of your painting should be placed, according to the Rule of Thirds.

Finally Ready to Paint

It finally time to start painting. I squeeze some paint out, not much because acrylics dry quickly.

While painting, I didn’t know I would be writing about it, I took photos at different stages only to have a reference for myself. So maybe the timing of the photos is not precisely between each stage, there is some overlapping of phases, but they turned out to be a valuable visual tool to explain the process.

Stage 1 of painting: Block The Value Shapes In
Stage 1 of painting: Block The Value Shapes In | Source

Stage 1. Block The Value Shapes In

After I sketched the scene, I went over my drawing with raw sienna paint, and on the darker areas I mixed in some burnt amber. This helped me establish the main shape and value structure.

The Sky was painted a medium value of blue, living some white areas for the clouds.

At this stage I don’t look at details, but I squint my eyes, and try to see the subject as a combination of big shapes. The goal is to paint each big shape with a medium value for that shape. The darks, lights, and details will be added later.

Stage 2. Painting Smaller Shapes and Different Values
Stage 2. Painting Smaller Shapes and Different Values | Source

Just curious...

Do you make thumbnail sketches before you start a painting?

  • Yes, always.
  • Sometimes, when I want to study the best composition.
  • No, I usually like to start painting right away.
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Stage 2. Painting Smaller Shapes and Different Values

I intensified the color of the sky, and added some smaller shapes to the mountains, and painted in the darker shapes as well.

At this point my composition is becoming pretty clear, I can see my main shapes, and how they combine on the painting. I can still change and correct anything that I don’t like or does not seem to work.

In the meanwhile, I started getting some details on the cow and fixing the hue of its shaded areas.

Slowly the composition starts to get richer in details, smaller shapes and different values.

Stage 3. Adding Details to the Painting
Stage 3. Adding Details to the Painting | Source

Stage 3. Adding Details to the Painting

It’s time to focus on the different areas of color, making sure they are consistent with the values on the reference photo.

Some of the things that needed to get done at this stage:

  • lighten up the sky;
  • paint the lower mountain on the left;
  • add more details to the taller mountain on the right;
  • add details to the cow, paying attention to the reflection of the sun light on the fur and the shades formed from the high sun.
  • start creating some texture on the grass in the foreground. Since it is much closer than the background, my goal was to make it more detailed, with some grass strands visible, but I did not want the green to be too overwhelming and taking too much attention from my cow.

At this point I really loved the contrast of the yellow-orange cow with the blue sky. When I like something the way it’s coming out, I make mental note to preserve that effect to the end and possibly create consistent effects somewhere else on the painting.
For example, if I like the brush work in a particular area, I make a point not to mess with that area anymore, and to use the same technique in other areas of the painting.

Step 4. Refining all the Elements of the Painting
Step 4. Refining all the Elements of the Painting | Source

Step 4. Refining all the Elements of the Painting

I added the green to the mountains in the background and also changed the grass in the front to a point of full satisfaction.

At this point the painting was pretty much done, but there were still some things that I changed and tweaked:

  1. Aerial perspective. The mountains in the back should be less defined and especially lighter in value. Making the colors cooler in temperature and lighter in value, make things recede, and the background needed some receding.
  2. The cow’s shaded areas are too warm. Successful shaded areas are not only darker that the original color, but they are also cooler in temperature. To achieve that, I need to add the complementary color to darken and cool the hue. Adding blue to the cows colors, that range from raw sienna to brown, takes care of the shaded areas very well.
  3. Highlights. My last step is always to look at the lightest spots on the reference picture and paint the lightest values on the painting. Here, this meant some highlights on the mountains, the clouds, and the white spots and reflections on the cow.

Sometimes the highlight is already there, but the nearby shape is too light to emphasize it, so instead of lighting the light area, I darken the shade near it and the result is the same, like on the front leg of the cow.

Stage 5. The Painting is Complete
Stage 5. The Painting is Complete | Source

Stage 5. The Painting is Complete

After much tweaking, here is the finished painting.


By no means I consider myself a master artist, but what I know I enjoy sharing with others. I wrote this article hoping that it will help beginner artists in their painting process, not because I believe I “know” how to paint.

I hope you found it useful and enjoyable. Happy painting! : )

© 2012 Robie Benve

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Comments 11 comments

Robie Benve profile image

Robie Benve 23 months ago from Ohio Author

Hello Mister terrific ( what a great screen name, BTW!) Happy to hear you found my hub interesting and motivating! Thanks a lot for you feedback and happy painting! :)

Mister Terrific profile image

Mister Terrific 23 months ago from United States

That was wonderful, I'm going to do it for myself, I just started taking Acrylic Painting Classes. Thank you for sharing your talent and making painting fun.

Robie Benve profile image

Robie Benve 4 years ago from Ohio Author

Hi Marcy, in your super busy lifestyle, wouldn't it be great if you found the time to start painting again? It can be fun and relaxing.

Thanks a lot for your comment. :)

Marcy Goodfleisch profile image

Marcy Goodfleisch 4 years ago from Planet Earth

I love the step-by-step instructions you have here! This should be an HOTD - it is just plain wonderful! I used to paint, but I didn't really know the right sequence to do things, so my work wasn't nearly as great as I dreamed of - or as yours is!

Voted up, and up, and up!!!

Robie Benve profile image

Robie Benve 4 years ago from Ohio Author

Thanks a lot for the positive feedback Dbro, Vanderleelie, and Nettlemere. It's wonderful to hear that you found the painting knowledge shared here valuable.

Vanderleelie, I like the tip of the colored glaze to unify the painting, I'll have to try that.

Thanks! :)

Nettlemere profile image

Nettlemere 4 years ago from Burnley, Lancashire, UK

Very interesting to see how the painting builds up through the different stages which you have explained nice and clearly too.

Vanderleelie profile image

Vanderleelie 4 years ago from New Brunswick, Canada

A very good hub with simple instructions that lead the painter through the process of working from a photograph. The only step I might add to the finished work is a glaze of acrylic medium and pigment to unify the range of colours. Voted up and useful.

Dbro profile image

Dbro 4 years ago from Texas, USA

Great hub, Robie! Your advice on composition is applicable to all two-dimensional media. I really enjoyed reading about your thought process as you completed this painting (which is great, by the way). Thanks for sharing your knowledge and love for painting. Both shine through very well in this article.

Robie Benve profile image

Robie Benve 4 years ago from Ohio Author

Hi Kathleenkat and Carol777,

thanks a lot for your warm comments, I'm happy your find my hub interesting. :) Happy painting both of you!

carol7777 profile image

carol7777 4 years ago from Arizona

I always love your art hubs and learn something new. I am going to bookmark this as I do all of the hubs. Great instructions and easy to follow. Thanks and keep going. Voted UP.

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kathleenkat 4 years ago from Bellingham, WA

One of the things I missed out on while studying art in college was paints and pastels! (They made you choose a specific medium, and I chose fabrics). Okay. THis is officially on my 'to do' list. Thanks for sharing this; this is a comprehensive guide by the looks of it. If I ever get around to doing this ('getting around' to things is a challenge for me) I'll let you know the results :)

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    Robie Benve451 Followers
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    Robie:an artist believing in the power of positive thinking, she paints images intended to bring joy the viewer and loves to share art tips.

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